视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。温柠为救父亲，代替姐姐嫁给王室发言人盛晏庭，婚后二人签订协议，对外隐瞒婚姻关系。三年后，温柠成为盛晏庭的专属翻译，然而她并不知道这一决定是盛晏庭做出的，一次意外，温柠惨遭绑架，盛晏庭拒绝支付赎金，温柠虽然逃出绑匪的桎梏，但却对盛晏庭心生怨恨。一部关于一个穷人和他的狗的短片，法国导演让·雅克·贝奈克斯的电影处女作。
